If I were a TCM guest (fan) programmer...

Jealous. That's how I feel every time I see a TCM guest programmer introducing his or her favorite movies. And while it's bad enough that TCM has guest programmers that aren't me, now they have fan programmers that aren't me either. How fun would that be, chatting about some lovely film with movie know-it-all (in a good way) Robert Osborne?

Stacia at She Blogged by Night has an interview with one of the chosen fan programmers explaining what the experience was like. She was asked to pick 10 films that meant something to her for TCM to narrow down.

What would my picks be?

The Maltese Falcon - A favorite. I especially love watching Sam's little laughs at Brigid's lies and his interactions with the fat man.

The Third Man - Another favorite. Besides the classic ferris wheel scene, there's also the great buildup to the reveal of Orson Welles' character. And you just have to sympathize with Holly Martins and his situation: "That sounds like a cheap novelette." "Well, I write cheap novelettes."

The Philadelphia Story - For the dialogue and characters.

The Muppet Movie - Because Kermit was too modest to mention it when he was a TCM guest programmer. This is also a movie I remember fondly from my childhood, when I used to watch it on our RCA SelectaVision VideoDisc Player (I can still hum the opening music it had before every movie, and I often remember from the movies we owned the scene when we had to flip to the other side of the disc). I also love seeing all the guest stars, particularly Mel Brooks, Steve Martin, and Edgar Bergen with Charlie McCarthy. How can you not love a movie about friendship and dreams? "Life's like a movie, write your own ending, keep believing, keep pretending..."

Father of the Bride - Spencer Tracy reminds me of my dad, who got me into classic movies in the first place. When I got married, he quoted some lines from this movie that made me cry.

The Hustler - Incredible performances. (And I could also talk semi-intelligently about the novel.)

The Long Hot Summer - More Newman, which is always nice, and a great look at all different kinds of relationships. Particularly interesting is the pressure on Clara to find a husband to satisfy both her heart and head.

Holiday - One of my Overlooked Oldies, which fits right in with the idea of TCM introducing people to classics they should know.

It's Always Fair Weather - I grew up on musicals, and this is a unique one that I think deserves some more attention.

The Major and the Minor - If I could only pick one film to talk about on TCM, it might very well be this one. It's the first movie I brought up in my Overlooked Oldies for a reason. Not only do I find the whole thing charming, but I also think it's significant as Billy Wilder's debut as a Hollywood director. Imagine if it hadn't gone well, what other movies we might be missing out on -- The Apartment, Some Like it Hot, Sunset Blvd. I find it incredible that he was able to write so well in what was not his first language. He manages to satirize and make fun of people while still getting you to sympathize and care for them. Pretty amazing.

What film(s) would you pick if you had the chance to go on TCM? An all-time favorite, even if it was well-known? A lesser-known movie with a lot of personal meaning? A really obscure gem to show off your film knowledge and try and one-up Mr. O? Share your thoughts, maybe TCM is listening for next time...

(And by the way, happy 15th anniversary, TCM.)

Overlooked Oldies: Holiday

Giving the label "overlooked" to some movies seems to me a risky thing to do. It begs for people to pounce on the choice, saying "That's not an overlooked movie! Everyone has seen that! What are you talking about?" My purpose in making a list of Overlooked Oldies is to highlight some movies that are worthy of watching even though they haven't gotten as much attention as some other classics. They might not be the most obscure films ever, but they're not the movies on the top of everyone's classic must-see lists, either. If you haven't seen the movies that always seem to make these lists (like Citizen Kane and Casablanca) by all means do so. My selections are meant to supplement and round out such lists.

Now I'll stop being defensive and share my next Overlooked Oldies pick: Holiday. Not The Holiday or Roman Holiday, just Holiday.

This 1938 George Cukor movie stars Cary Grant as Johnny Case, a self-made man recently engaged to the beautiful Julia Seton (Doris Nolan). Since their courtship has been brief, he knows very little about her, and is thus shocked when he goes to meet her family and finds out how rich they are.

The other Seton children are Linda (Katharine Hepburn) and Ned (Lew Ayres). The sibling relationships can be summed up in this bit of dialogue:

Linda: "Well, I know you wouldn't expect it of a man in father's position, but the fact is, money is our god here."

Julia: "Johnny, it isn't true at all."

Ned: "No? What is then?"

Julia is the most like her father and shares his reverence for riches while Linda is fed up and looking for something else to do with her life. She is thus known as the black sheep of the family. Ned tends to agree with Linda although he appears to have given up on his dreams, spending his time drinking instead of fighting his father. It's quite heartbreaking to watch him, actually.

The movie is not named for any holiday celebrations (although there are two very different New Year's Eve parties in the film). The title instead refers to Johnny's goal of taking some time off to enjoy life. He's been working since he was ten and is now ready for a break to find out why he's doing it. His plan is this: "Retire young, work old. Come back and work when I know what I'm working for."

Julia and her father have other ideas for Johnny and try to pressure him into a new job and way of thinking. More understanding of Johnny's plan is sister Linda. You can probably guess how things will turn out, but it is still fun to go along with these characters for the ride.

Other things that make the movie enjoyable: the moments that showcase Cary Grant's acrobatic skills ("Can you do a back-flip-flop, can you really?") and Johnny's down to earth friends Nick and Susan Potter, played by Jean Dixon and wonderful character actor Edward Everett Horton.

If you've seen and enjoyed The Philadelphia Story and Bringing Up Baby, don't miss Holiday, another great pairing of Grant and Hepburn.