11/3/08

The Alphabet Meme

The idea here is simple: Pick your favorite film for each letter of the alphabet. Thanks go to Blog Cabins for getting this started. Check there for more detailed rules, or read my summary below.
  • Choose one film for each letter of the alphabet.
  • Using a film that starts with "A" for A or "The" for T is not allowed.
  • Films from a series must use the first letter of the actual title they were released under (ex: Return of the Jedi would go under R and not S for Star Wars: Return of the Jedi).
  • Films that begin with a number belong filed under the first letter of that number spelled out (ex: 12 Angry Men would go under T).
  • Link back to Blog Cabins in your post to give credit where it's due.
  • If you're selected, tag 5 more people. (If you're not tagged, it's fine to make your own list anyway!)
I just did my top 50 movies, which should have given me a major head start here. But I thought it would be more fun (and challenging) to come up with movies I like that didn't quite make that list. So here they are:

Aladdin (my last list was sadly lacking in animated films)

Big Sleep, The

Corrina, Corrina (because Tina Majorino is super cute and reminds me of my niece)

Days of Wine and Roses, The

Ever After

Fugitive, The

Gigi

How to Succeed in Business Without Really Trying

It Happened One Night

Jurassic Park

King and I, The

Long Hot Summer, The

Marty

Natural, The (not my favorite baseball movie, that would be A League of Their Own)

Ocean's Eleven

Parent Trap, The (1961)

Queen, The (although I prefer The African Queen)

Regarding Henry

Stranger Than Fiction

Thirty-Nine (39) Steps, The

Umbrellas of Cherbourg, The

V irgin Queen, The (2005)

Wall-E

X-Men (what else is there?)

You Can't Take It With You

Ziegfeld Follies (well, at least the bit with Fred Astaire and Gene Kelly)

Whew, that was not easy! Because of the constraints, I can't say that I love all the movies on here. And I still feel like I'm missing some of my favorites. Oh, well, I still had fun with this.

Next, I tag Cesia and David Bishop. (Since you've both just made your top movie lists, it should be easy, unless you opt for new titles too.)

If you want to play along but get stumped along the way, try Yahoo! Movies to browse titles by letter.

11/2/08

Review: Rachel and the Stranger

I'm not usually a big fan of Westerns, but since I do like both William Holden and Robert Mitchum, I decided to give Rachel and the Stranger a chance.

Holden plays David Harvey, a widower so worried about his young son growing up wild and woodsy without a woman around that he heads into town one day determined to return with one. What he gets (for a price) is the bondswoman Rachel (Loretta Young). Since it wouldn't be decent for them to live together unmarried, he weds her, although it soon becomes clear that she will be treated more as a servant than a wife.

Rachel is eager to please, anxious to find out and fulfill what is expected of her. She becomes determined to learn how to shoot, hoping that by doing so she will win over her stepson, and, through him, her husband. Despite her efforts, she is pretty much ignored.

That all changes when Mitchum's character, Jim Fairways, shows up for a visit. He's a wandering hunter and an old friend of the family. In fact, he was a rival for the affections of Big Davey's first wife, and history soon repeats itself as Fairways takes a liking to Rachel. Fairways expresses his intention to get a wife of his own and heads off to town for this purpose. During a strangely sunny evening scene, the now jealous Big Davey begins to show more interest in Rachel, although he tells her that he is not ready to fall in love again.

Fairways soon returns, sans wife, and during an extended stay with the family he shows himself very attentive to Rachel. He soon offers to buy her from Davey so he can marry her himself. Although Rachel had seemed to enjoy the attention from Fairways (he kindly treated her like a person by talking with her, playing music with her, and teaching her how to shoot properly) she now turns on Fairways and calls him lazy.

While the two men fight over her, a disgusted Rachel runs off, and soon the men are on her trail. Even though the trip to town and back was made easily in a day before, everyone ends up camping out that night and the two men have a chance to express how they feel. Fairways professes his love while Big Davey is only able to appeal for Rachel to return to keep Little Davey and the dogs from missing her.

Soon all this nonsense is forgotten as a fire is spotted and the men head back to the cabin to protect it from an Indian attack. While Little Davey heads off to get the help of the townsfolk, Rachel bravely (and rather foolishly) returns to help fight off the Indians. Although unable to save the cabin from being set on fire, the three members of the love triangle live through the night unharmed. In the morning, Fairways the lonely wanderer heads off again, but not before delivering a creepy line about how he's a hunter putting the meat on other men's tables. Rachel remains with her husband and stepson, and Big Davey refers to her as Little Davey's Ma, providing hope for her being treated as a real wife now.

The movie was fairly enjoyable overall, with good acting and nice singing by Robert Mitchum. I didn't like some of the underlying ideas of men being driven to love by jealousy and women having to choose between romance and security. Fans of the actors would probably enjoy watching Rachel and the Stranger, but as the story is somewhat lacking in depth and emotional payoff, I would definitely categorize this film as a lesser classic as opposed to a must-see movie.

10/29/08

Book vs. Movie: The Grapes of Wrath


First up on my Lit Flicks Challenge list (and my first rental from Classicflix) is The Grapes of Wrath.

This is one of those classics I can't believe I missed for so long, both in book and movie form. I had seen clips from the movie somewhere, and what I had stuck in my head was the close-up of Henry Fonda's earnest face making his "I'll be there" speech. My impression going in: this story has a Message. And so it does.

The focus is on the Joads, a family forced away from their farmland home, journeying to California to become migrant workers. While the Dust Bowl and the Great Depression are pretty heavy subjects, I was still surprised by just how raw the novel is. It's an unsanitized look at these people with all their flaws and problems. And as gritty as it is, I believe that it could have been worse, given the hardships that are hinted at which the Joads manage to avoid.

In the book, in addition to the chapters that follow the Joad family's journey, there are also shorter chapters that take a less personal, larger view of the problems of the times. Some of these were very powerful and worked quite well. I especially liked the chapters on the used car dealership and the roadside diner. As I progressed through the book, however, I began to feel that this device was wearing thin, and that Steinbeck had run out of things to talk about in these bigger-picture chapters.

Overall, it's a well-written novel about a serious subject. And it did get me wrapped up in it so that I was really feeling for these characters. I particularly liked Ma, even from her first appearance in the book. In her introduction, we are told that "her hazel eyes seemed to have experienced all possible tragedy and to have mounted pain and suffering like steps into a high calm and a superhuman understanding." The story gives her a lot more steps to climb. I preferred book Ma to movie Ma, but I liked Tom Joad in both versions very much.

Before seeing the movie, I was worried about Henry Fonda's performance, especially his ability to speak in the country dialect of the book. Maybe it's because the clearest picture I have of Fonda is as the very intelligent, articulate character in 12 Angry Men. But he handles the role of Tom Joad brilliantly, never seeming above it while still bringing out a certain sincerity with dignity that is important to the character. Fonda's performance is wonderfully restrained yet powerful, beautiful against the often over-the-top, make-your-eyes-as-wide-as-possible-for-effect acting going on in this movie. With the exception of the bit where he sings, I found Henry Fonda's performance riveting, and for that alone I would recommend watching the movie.

Would I recommend the book? Yes, although with some hesitation. The novel is really depressing. As I progressed through the book, I found myself anticipating with dread the next tragedy that would befall the family. The book has an interesting theme about sin versus holiness that is nowhere near as prominent in the movie. Both stories show that people do better helping each other, although the book drives the point home harder. Sure, we've all got to eat, but only looking out for your own is selfish and doesn't work for the greater good, we get it. The movie, while still serious, has some lighter moments to it, like Grandpa explaining what he'd like to do in California and the family's reaction to Tom's homecoming. The movie also has a much different ending.

The book's ending is a bit of a shocker; I won't spoil it here in case you haven't read it yet, although I will say that it made me feel that a certain thing was set up in the book only for the ending, which felt somewhat cheap to me. The ending does fit in with the rest of the novel and provides some hope for the future, but the whole thing is still pretty bleak. Which I suppose is the point -- the issues faced by these people could not be easily fixed. The movie's ending is more hopeful and uplifting, although it didn't ring as true to me. Also, in both versions of the story, I was disappointed that Tom's part is finished up before the end.

So, what's the final verdict, book or movie? Both. The story in either form is an interesting look at a difficult time in history. The book definitely has more meat to it and a bigger agenda; the movie is a bit more entertaining while still illuminating the subject. While I don't think I'll be coming back to either book or movie soon, I'm still glad I checked out both versions of this classic American story.

10/28/08

Favorite Movie Decade

If you would have asked me yesterday which decade produced most of my favorite movies, I would probably have said the 1960s. But after seeing the decade graph based on David Bishop's top movie list, I decided to put my top 50 list to the test. This is what I came up with:

It turns out that the 1950s and 90s tied as my favorite movie decades! What happened to the 60s? Well, in making my chart, I discovered that a couple of movies I would have thought of as 60s movies were actually from 1959. Oh, so close. Can I make up my own decade? If I could, 1954-1964 would have the top number of my favorites. (Although, that would be 11 years instead of 10, wouldn't it? Hmm.)

By the way, I also tried my results as a bar graph, which was slightly easier to read, but I went with the line graph because it makes a big "M" for movies!

What's your favorite decade for movies? I know I need to watch more films from the 30s. Am I missing out on a lot of good stuff from the 70s?

10/24/08

My Top 50 Favorite Films

Probably every movie lover makes a favorite film list at one time or another. Fletch over at Blog Cabins just posted a list of his top 50 films, encouraging others to do the same. That was all it took to get me going. (Yeah, I'm also one of those people that feels the need to respond to every email survey I receive from friends. Sharing opinions is fun!)

Top 10 is one thing, top 50 might be even trickier. I've grouped my choices into a few different categories, leaving my favorites for last on each list. It should be noted that these are my personal favorites, which is pretty subjective and basically comes down to the movies I have watched and enjoyed repeatedly, films which get quoted the most in my little world. These are not all necessarily the same movies I would put on a list of the best films ever made. But what good is a movie best list if it's not films you actually enjoy watching, anyway? And so, without further ado, my favorites:

Alfred Hitchcock movies:
Rear Window
Dial M for Murder
North by Northwest
Notorious

Billy Wilder:
The Major and the Minor
Some Like it Hot
The Apartment

Orson Welles:
Citizen Kane
The Magnificent Ambersons
The Third Man

Musicals:
That Thing You Do!
Singin' in the Rain
Oklahoma!
A Hard Day's Night
The Wizard of Oz
Guys and Dolls
West Side Story
An American in Paris

Noir:
Out of the Past
Laura
The Maltese Falcon

Chick Flicks:
Sense and Sensibility
Out of Africa
You've Got Mail

Sci-fi:
Gattaca
Tron
Back to the Future
The Empire Strikes Back
Star Wars IV: A New Hope

Newer Favorites:
The Princess Bride
Catch Me If You Can
A River Runs Through It
Ferris Bueller's Day Off
Clueless
Sneakers
Much Ado About Nothing
Joe Versus the Volcano
Quiz Show
Moonstruck
The Hunt for Red October

Older Favorites:
Dr. Strangelove
Born Yesterday (the William Holden version, of course)
Father of the Bride (the Spencer Tracy version, of course)
Seven Days in May
12 Angry Men
Gone With the Wind
Casablanca
The Hustler
The Philadelphia Story

If I could only choose one out of all of my favorites as my top pick ever, it would probably be The Maltese Falcon.

By the way, I know there are only actually 49 here. I didn't count wrong, I was just afraid of missing some great movie and feeling bad about it later. So I'm leaving a spot open for floating favorites -- when I think of one that didn't make the list, it will become my current 50th.

Now it's your turn. What's on your list?
AddThis Feed Button